Doc:Realistic Rain Animation

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Somes of the screenshots needs to be updated with 0.64.0

Work in progress...

Contents

Introduction

Realistic rain tutorial completed.png
This tutorial will guide you in making a realistic rain animation with Synfig.

Be sure to have a look at the gallery below to see videos exploiting this technique from which this tutorial is born!


This tutorial is not "advanced" as in "difficult", but it requires that you are familiar with the Synfig interface and tools, as these will not be covered here. Start with the more basic tutorials and keep an eye on the Manual if you are not familiar with terms such as "Blend Method Parameter" or "Group". The duration of this tutorial is estimated between 30 and 50 minutes for an average Synfig user.

For alternative set-ups, additional settings, variants and more, kindly refer to the talk page.


The basic idea of the technique we'll be using is inspired from the tutorial "Fire in Photoshop", by Eros:

  • a vertically moving background, filled with black & white clouds (i.e.: noise). The light areas will become bright, yellow flames, and the dark ones will become red-ish flames.
  • a fixed mask to darken the top of the fire, hence extinguishing the flames (i.e: a black & white vertical gradient)
  • an orange color layer to turn on the heat

You can optionally download the File:Realistic rain tutorial.sifz, available under Creative Commons (by nc sa).

step 1: The Clouds

Clouds in the sky

Start with a blank Synfig file, any size will do. To match a good-looking widescreen ratio this tutorial uses 360x203.

1. Add a new black & white Noise Gradient Layer, name it gr-nsClouds and change these values/parameters for the clouds:

  • Gradient to 00002e,ffffff
  • Random Seed to 1274099207
  • Size to 84,44 pt
  • 'Interpolation to Cubic
  • Animation Speed to 0.5

step 2: An object under the rain...

1. On top of gr-nsClouds, add a Circle Layer, name it crTestObject and set these values/parameters for the test object:

  • Color to 024123
  • Radius to 22.5
  • Falloff to Sigmond

step 3: Now it's raining!

1. On top of crTestObject, add a new Noise Gradient Layer, name it gr-nsSlowRain and set these values/parameters for a first kind of rain:

  • Amount to 0.4 [or less if you want clearer skies]
  • Blend Method to Staight
  • RandomNoise Seed to 123456789
  • Size to 0.5,17
  • Inperpolation to Spline
  • Super Sampling --> flag it

Now group the gr-nsSlowRain layer and name it enSlowRain and convert:

  • Origin to Linear

change then the Slope parameter that appear:

  • Slope to 0,-10

2. Well, now select the enSlowRain and duplicate it naming the new encapsulation layer to enRain and its gradient layer inside gr-nsRain.

Change the parameters of the two layers as follow: For enRain

  • Amount to 0.6
  • Origin|Slope to 0,-100

For gr-nsRain

  • Amount to 0.6

step 4: Final settings



step 2: bring it to life!

Bringing this fire to life is about moving the base noise upwards. Therefore we

  1. Group base noise and rename the new group into moving base. Make it move upward by converting its origin to Linear and setting the origin slope to 0x200pt.

At this point you can Preview a few frames, to appreciate the effect of moving flames... and quickly notice how dull and boring it looks: the flames fade away when rising but lack of movement and surprise. Let's add some!


The idea of the technique used in this tutorial is to brighten zones that will become hot, yellow flames, and darken zones that will be dark, red flames. As moving base does just that being a black and white cloud, we'll apply the same steps again to add some irregularities:

  1. Duplicate the moving base layer, rename the new group into irregularities, its contained noise to irregularities noise and raise it above moving base. Change all the settings we adapted before:
    • Change irregularities noise RandomNoiseSeed to anything else (eg. drop the last figure) and size to 5x15pt
    • Change irregularities origin slope to 50x350pt, amount to 0.5 and zoom to 1.2

A snapshot of these last settings is given in the picture at the end of step 2.

Result after step 2

step 3: some hot zones

The flame source layer

To complete this tutorial, we will add some hot spots at the base (figuring the source of the flames) and left of the fire, to make it less rectilinear. This is done by slightly brightening some areas underneath the fire color layer.

  1. Add, above irregularities group, a new Linear Gradient Layer. Rename it flame source and move its gradient point 1 & point 2 to leave no white space at the bottom of the frame, and huge black area on top, as illustrated in the "flame source layer" picture. Change its amount to 0.6 and blend mode to Add.
  2. Below layer fire color create a new Spline Region (no need for an outline) of a shape where you want brighter flames (have a look at the picture at the end of this step for an example) and rename it high flames region. Changes its Feather Parameter to 50pt, its blend mode to Add, and its color to some light gray (eg #8c8c8c).
Realistic fire tutorial step3.png


Congratulations. You're (already) done! Render and enjoy.

You can optionally download the result File:Realistic fire tutorial.sifz, available under Creative Commons (by nc sa)... but you just made your own so there's no need!

Fine tuning & fooling around

Various settings allow you to achieve very different fire types and effects. Contribute to this section or discuss them in the talk page!


Some "easy" tailoring include:

  • play with the gradient of base noise to change the ratio between bright and dark flames.
  • tune the irregularities zoom, amount and blend mode to get a wild aggressive fire (0; 0.4; hard light) or something more voluptuously quiet (1.9; 0.5; composite)
  • make your high flames more realistic by coloring the high flames region with a vertical gradient, dark grey on top, white at the bottom.
  • simulate wind (ie. change the direction of the flames) by adapting the slope of moving base' and irregularities.
Be cautious playing with the fire!

A few fun but less realistic tunings:

  • play with the color of fire color to get a blue or pink fire.
  • check turbulent of base noise and/or irregularities noise to get a psychedelic effect.
  • set any place of the picture to fire just by adding a light gray spot below fire color anywhere, just as we did high flames region in step 3.

Gallery

You used this technique? Leave a link here and a few hints in the talk page!


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